Some of his arrangements were so bold the board was outraged. He placed the string from high to low, left to right. This arrangement, he argued, allowed the musicians to better hear one another. The most important violinist in the orchestra.
He or she will sit in the front seat directly to the left of the conductor. It is the duty of the concert master to tune the orchestra before a performance. The leader of an orchestra. He or she is involved in selecting music and deciding how it will be performed. The conductor stands in front of the orchestra and leads the musicians.
Orchestra musicians are given seats in accordance with their abilities and experience on their instrument. David Lindsay, Munich Germany An orchestra can in theory keep in time without a conductor although I'm not convinced that this would always be the case with some amateur orchestras. But there is a lot of room for interpretation in the score, e.
Without a conductor, each musician would resort to his or her own individual opinion. Much of the conductor's input is during rehearsal when he or she conveys this information to the orchestra. Sometimes, especially in the case of piano pieces, the conductor can give enough guidance by playing the solo part and can "conduct from the piano", but this isn't common.
Allan, Wimbledon Listen to the music of Harrison Birtwistle or any comparable contemporary composer, and you might wonder whether it is worth the bother to pay a conductor. On second thoughts, paying competent musicians to play the stuff seems a little excessive too. As above, during rehersal and for interpretation. During the concert to keep everyone together and on track. David, Japan If you wish to read an entertaining, but highly opinionated and infuriating attack on conductors, get a copy of Hans Keller's "Criticism".
Conducting is just one of several musical professions he deems "phoney", others being those of opera producer, critic, musicologist, viola player. The book is smugly ironic in that Keller himself practised most of these. Politicians, teachers, psychoanalysts, editors are among his non-musical phoneys. Andrew Thomson, Paris The boring answer is that music notation is just not comprehensive or accurate enough to be unambiguously turned into music by a group of players.
What difference are they making? Would the orchestra still play without them? And why do they sweat so much? And almost exclusively male. As long as there are myths around what a conductor actually does, an important part of classical music will seem mysterious to many people. At a basic level conducting is very simple. How do musicians follow a conductor? Do conductors really do anything? What makes a good music conductor?
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