Who is amedeo modigliani

After Modigliani recovered from the second bout of pleurisy, his mother took him on a tour of southern Italy: Naples, Capri, Rome and Amalfi, then north to Florence and Venice. Article Wikipedia article References Wikipedia article.

Wikipedia: en. Amedeo Modigliani Famous works. Portrait of Maude Abrantes Amedeo Modigliani Anna Akhmatova Amedeo Modigliani Madame Pompadour Amedeo Modigliani Portrait of Diego Rivera Amedeo Modigliani Portrait of Beatrice Hastings Amedeo Modigliani Portrait of Moise Kisling Amedeo Modigliani Portrait of Chaim Soutine Amedeo Modigliani Jeanne Hebuterne Amedeo Modigliani Portrait of Jeanne Hebuterne Amedeo Modigliani Amedeo Modigliani Featured. Expressionism Style - artworks.

Related Artists. Paul Cezanne - Pierre-Auguste Renoir - These competing feelings emerge in this portrait: this ambivalence is suggested in the two-toned face, while the overall gestural, uneven application of paint hints at inner conflict. Yet, the round face and facial features resemble Southeast Asian depictions of Buddha, showing Modigliani's respect for Picasso's wisdom and experience.

This is literally spelled out on the lower right side of the painting with the French word savoir "to know". This double portrait of Jacques Lipchitz and his wife, Berthe, exemplifies Modigliani's talent for eliciting the inner life of his subjects. Although his stylized method of painting presents two mask-like faces, they reveal subtle clues about the personality of each sitter.

Berthe has an open, kindly face, conveyed by the brightness of the paint and downward tilting eyes. Jacques, with his small, compressed features sloping inward, appears calculating and suspicious. Wanting to pay his friend Modigliani as much as possible for his work, Jacques Lipchitz insisted on further changes after its completion; as a result, the painting took nearly two weeks to finish.

Modigliani's nudes are often frank depictions of sensuality that frequently reference the traditional handling of this theme, but without the mythological context of their artistic precursors.

The present work, for example, suggests Sandro Botticelli's Birth of Venus - a painting with which Modigliani was undoubtedly familiar from his studies in Florence - through such features as the subject's long blonde hair, tilted head, and the figure's contrapposto.

The classic composition, however, is skillfully subverted and heavily modernized. While Botticelli's subject artfully covers her genitals with her flowing locks and smiles placidly, Modigliani's sitter draws attention to this area with her dropped chemise and confronts the viewer with a slight smirk. Such features of the Modigliani painting likely contributed to the uproar generated by the artist's now legendary exhibition at Berthe Weill's gallery in When Modigliani entered into a relationship with the nineteen-year-old Jeanne Hebuterne, his close friends hoped that the serious young woman would inspire Modigliani to curb his excesses.

Hebuterne, however, loved the artist with a blind adoration that made no demands. Although there were no fundamental changes in his behavior, Modigliani's portraits of his young lover suggest the artist's newfound sense of peace and serenity. Less stylized than those in the artist's earlier works, the sitter's features, especially the sly, sideways gaze, suggest a psychological clarity that communicates Hebuterne's inner character. Italian, Jewish, playboy, painter, and sculptor, Modigliani lived a hard existence in abject poverty.

He sold his drawings and paintings for a pittance to buy food and alcohol. His accommodations were harsh, and he was often ill from his indulgences in alcohol and drugs which compounded the weaknesses leftover from his childhood illnesses. Three years after Modigliani moved to Paris, his patron and friend Dr. Paul Alexandre introduced him to sculptor Constantin Brancusi. By all accounts, Brancusi inspired Modigliani to dedicate himself to sculpture and associated drawings for the next five years.

This is also where he was introduced to African tribal carvings and masks and their styles of simplification of form. These early multicultural influences included African, Egyptian, Greek, and Khmer. Between and , Modigliani produced a significant collection of stone carvings of which twenty-five have survived. It is the only full-length, free-standing sculpture known to have survived.

It is interesting to note that all his sculptures were of the human head except for Standing nude c. During his time in Paris, Modigliani also became loosely involved in the Fauvism art movement.

Fauvist works can be characterized by energetic brushwork and intense colors as a means of conveying the emotional state of the artist. Modigliani created a large body of diverse work while living in the Parisian Montparnasse district. During the early part of the 20 th century, this district was the artistic and intellectual hub of Paris.

Modigliani developed a distinctive and recognizable style during his short and frantic artistic career. His paintings are well known for his elegant portrayal of women with recurring features including elongated arched necks and hands, and blank almond-shaped eyes.

Probably believing Modigliani would enjoy some banter, Renoir confided that he did not believe a painting of a nude was finished unless he felt the urge to slap her backside.

His alleged answer is an example of how Modigliani lived on his own terms, not feeling the need to be deferential to other, more established, individuals. It could also be read as a sign of respect for his female models. Despite his many flaws, when you look at Modigliani's portraits, they can be read as being painted with empathy and emotion. Amedeo Modigliani, The Little Peasant c.

In the early years of the twentieth century, Paris became a magnet for artists from all over the world and ….

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