Creating a very low budget film is appealing to the distributor as they can make quite reasonable profits off a straight to DVD bargain basement film. The producer is also likely to make a lot of money from the sale to the distributor front end profit and from the additional cinema or DVD sales back end profit.
There are further financing options for the producer. Most countries offer some form of tax credit to films produced there, as it shows off glorious Glasgow, or similar. Interestingly, the USA does not do so. For the producer, taking advantage of such tax credits reduces costs significantly. To reduce the risk further, co-productions are used.
For example, a Canadian-German co-production will cash in on both Canadian and EU tax credits, splitting the financing and the risks of the film. In general, financing is hard to come by and unstable; private investors and family members get cold feet, or go bankrupt, and more often than not a script will never make it to the screen. For this reason at any one time an experienced, professional producer is likely to have multiple scripts "in development".
One producer I know of has That's 20 writers all hoping for that second paycheck. The producer only expects to make two of them. A great producer has the ability to make huge money, but also has the ability to go bankrupt very fast. With most of the risk of a film on their shoulders, it is undoubtedly an insanely stressful job. As the majority of producers are self employed, making a bad film which might have taken two years can be pretty bad for the blood pressure. The role of the distribution company is to get the finished movie into cinemas and out in DVD format.
They have the advantage of knowing the budget, actors and have sometimes seen the whole finished film before investing, so a seasoned distributor may be able to pick up a bargain and make a hefty profit. Distribution is really a marketing job, which is a tricky task, and takes a heck of a lot of money. The expense of marketing is why so many sequels are made, known as "pre-sold franchises".
It doesn't take a genius to realise that these movies can be pushed with a much tighter budget. It's why films like those in the Twilight saga will start shooting a sequel before the editing of the previous one has finished. If they can churn them out fast enough, the marketing buzz from the first movie has barely died down, or you can at least ride the coat tails of the DVD release.
Producers and distributors alike love these. A producer can sell the rights to any number of distributors based on their experience, country and expertise. To coordinate these, a sales agent can be utilised, who will take a cut of the sales revenue.
But what if no distributor is interested in your film, which may have been made with nobodies, on a nothing budget and with no room left for marketing. How can you get the word out? The answer is film festivals.
Cannes, Venice and Sundance are free marketing Meccas. There's no guarantee your film will get chosen to feature, but it will get watched. If it does get chosen, thousands will see it, newspapers will review it and many distributors will be circling, looking for a bargain. Probably the dullest part of the process. They choose which distributor's films they want to show and powerful distributors play cinemas against each other for maximum film rights.
Say it's Harry Potter release night. If there's two cinemas on one street, chances are the highest bidder will get it. Either that, or both cinemas will have to pass back an extortionately high percentage of the ticket cost to the distributor. Usually a combination of the two. Others capture multiple angles on a film or television set. Working as a camera operator may be an effective path to becoming a film director or cinematographer. Primary duties: Producers take care of the more logistical side of entertainment.
Unlike a director who oversees the creative elements of a film, a producer hires talent and manages the financial aspects of a production. Although they may have a say in some creative decisions, a producer's main role is to act as a business manager who helps the artistic work get completed. Primary duties: A production coordinator carries out many jobs for entertainment production.
They work with producers and assistant directors to coordinate the different areas of a production. In live events, these professionals might oversee the setup of a stage including wiring for sound and lighting. For film and television work, production coordinators assist in arranging each aspect of a production.
Primary duties: A choreographer plans dance and movement for theatrical, film, musical and even television productions. Choreographers are usually trained and experienced dancers with knowledge in a variety of styles and musical genres. Some choreographers plan fight moves for theater, television and film. Primary duties: Animators combine artistic talent with digital tools to produce animated sequences, characters and scenes for productions in film, video gaming and television.
Animators train to apply visual art techniques to computer software programs, selecting colors, forms and the layout of a project on a digital canvas. Read more: Learn About Being an Animator. Primary duties: Musicians use instruments to perform either as a solo artist or with a group.
They work for a variety of entertainment venues including concerts, television shows, music studios and film orchestras. Primary duties: Makeup artists work with costume designers and directors to help create the look of a character in a production. With opportunities to work in nearly all areas of the entertainment industry, these cosmetology professionals use makeup products to highlight the features of an actor or use prosthetics and paint to create a character look for production. Primary duties: Also called sound engineers, audio engineers manipulate sound in a live event or recorded production.
They help control sound quality, mixing sound channels to amplify the overall tonality of a performance. They also work with prerecorded dialog and sound effects to create a more balanced sound for a film, television performance or even a video game.
Here are more jobs you can pursue within the entertainment industry:. Find jobs. Company reviews. Find salaries. Upload your resume. Sign in. Finding a Job. What is the entertainment industry? What is it like working in the entertainment industry? Entertainment industry skills. Creativity: Professionals in the entertainment industry work on creative projects to share and express ideas to an audience.
They often contribute to these projects through their area of expertise. The entertainment business is focused on creative content making this skill important to anyone seeking to join the industry. Adaptability: Since hours, locations and job tasks can change quickly during a production, those ready to work in the entertainment industry need to be adaptable so they can perform their jobs in different situations.
Many roles in entertainment require flexibility and the ability to complete multiple tasks and job duties. Success in the industry is based on creativity and financing, and the industry is largely self-regulated. Many of the leading motion picture studios are part of larger media conglomerates that often include television, video and streaming services, music services, newspaper, cable and magazine segments. The industry offers attractive possibilities for international companies, both large and small, and provides film production tax incentives.
With the shift toward digital production and distribution, foreign firms are continually seeking out U. Music The U. Collectively, it is the largest global music market. Aside from contracting physical music sales, all segments of recorded music are up, including digital, streaming, and sync licensing. Many companies in the industry have diversified, signing sync deals with vertical businesses for TV ads, in-flight entertainment, satellite radio, restaurants, touring, live entertainment, and merchandise.
Digital technologies have revolutionized the music industry by creating high quality, low-cost recording technologies and digital distribution, along with the proliferation of devices to download and listen to music.
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